New, Awesome Music
Sarah Harmer
Sarah Harmer is a bluesy/folksy/bluegrassy/acoustic-guitar-oriented, environmentally and socially conscious, lovely, tender artist. I happened to run into her fantastic song I Am Aglow while listening to BSR one night and I’ve been following her ever since. I recently downloaded another song from her called Escarpment Blues, which has an interesting story behind it:
“Escarpment Blues tells the story of a current land-use conflict in Southern Ontario on the Niagara Escarpment, a UNESCO World Biosphere Reserve. I grew up on the escarpment on the farm where my family still lives, within a long green corridor that is prized for its fresh water resources, its endangered species habitats, its prime agricultural soils and its wetlands and forests. These lands are under serious threat from the aggregate (sand, gravel, shale) industry. The problem is that large multinationals companies want to open new quarries on top of the escarpment and extract the rock below these ecosystems, thereby removing and destroying them. So, after writing the song, I got the idea for the “I Love the Escarpment” Tour and set out in June 2005 with some of my best musical mates to hike the escarpment and make music along the way.”
She’s highly recommended.
Teddybears – Different Sound
On occasion, I hear a song in a commercial and it just sticks. Sometimes this is terrible, like the time I walked around for 4 days with “Bu-da-ba-bah-dah – I’m lovin’ it” stuck in my head. Sometimes the song is actually good and I’m intrigued, like that new Intel Core Due Processor commercial. I wanted to know who sang it and where I could get it. This used to be an idle daydream, as even googling for “music in X commercial” rarely turned up anything good. Now there’s Splendad.com, to satisfy just that desire. It can be sorted by advertiser and by artist, so I looked up Intel commercials from 2006 and boom: I got my info. The background song is Different Sound by Teddybears. It’s a slammin’ techno song. As it is techno, it’s not for everyone, but I really dig the beat and can listen to it repeatedly with no problem.
Tom Petty – Saving Grace
Tom Petty’s new single is, quite simply, the perfect rock’n roll song. You really feel that deep core of blues in there, but it’s got a rock edge. Talk about perfectly evoking an album’s title (Highway Companion). I would none-too-subtly add that it’s been conveniently placed on my Amazon wishlist, if anyone’s interested.
Gomez – How We Operate
Gomez is one of those bands that’s been floating off in the rock/blues/country/bluegrass/acidrock wilderness for far too long. I’ve loved them since my buddy Leo gave me a copy of Liquid Skin when I was in Sydney. I’ve psyched myself up and bought every album of theirs since then, and the experience has gone downhilleverytime . There was a ton of great music in there, but it was uneven and confused and confusing. So when I heard that Gomez had finally put out a new album this year, I sort of shrugged and put it out of my mind. They weren’t dead to me; far from it. They were just not as inspirational as they had been in the past. Then a few reviews of this new album, How We Operate, passed my way and they were generally glowing. That was enough for me to acquire the album and I have not been disappointed. Gomez has come in from the wilderness and put out abadass album that tied together– intelligently–all the disparate musical strands they’d been playing with for the past few years. I’m elated and you should be, too. If you don’t already own Liquid Skin, just do yourself a favor and get it as soon as you can. Ask for it for Christmas. Whatever. But both it and How We Operate are classic must-haves.
The Killers – A Great Big Sled
A Christmas song from The Killers? I laughed too, but it’s a damned good song. I haven’t heard the new album yet, but from the singles they’ve released it very well could be as good as their first one. (The second one was classic terrible sophomore effort, in my humble opinion.) The single they just put out, A Great Big Sled, is notable not just because it’s a good song and it’s seasonal; it’s also a (Product)Red track, which means a hefty percentage of the revenue from every track goes to The Global Fund. You can read more about it here, but, suffice it to say, if you can buy (Red), buy it.